I was always that kid on the playground who would prefer to watch the
    other kids than participate in what I would deem to be “dangerous”
    activities. Some of you would call me a pansy (and so did the other
    kids #emotionalscars), but I prefer to think of myself as careful; I
    don’t like taking a step without knowing where my foot is going to
    land.

    Though I’ve pushed myself out of my comfort zone from time to time, I
    tend to still feel like that little kid on the playground, watching
    the other kids take risks. I see them fail, yes, but I also seem them
    grow and learn and rise above it all.

    That’s why I left my life in America and joined the Initiative
    Production Company at the age of 25.

    I was no longer content letting film be something I just dreamed about
    being a part of in a significant way. I couldn’t let myself sit on the
    sidelines of my own life and expect everything to just work out on its
    own.

    I had to put some skin in the game; to try, to be vulnerable, put
    myself out there.

    You know, basically the most terrifying things in the world.

    That’s why three years later when the creative director of The Initiative, Jason Solari, asked me to be a part of the writing process for our second feature film, The Out of the Woods Project, I agreed to do it.

    At this point, I was equal parts elated and terrified. I had never written a feature film before; I didn’t even know if I had it in me.

    I’d spent the past three years talking myself into and out of being a
    filmmaker on a daily basis. The learning curve was too steep, the
    possibility of failure on an epic scale was larger than anything I had
    done in the past.

    But my choice was the same as it had always been; was I going to watch
    from the side, or was I going to play?
    I chose to play.

    I wrote endlessly; periods of quiet panic punctuated by rare moments
    of perceived genius. I spent more time staring at a blank screen
    thinking about anything but writing a movie than I care to admit.
    I remember the first time I let other people read the progress that I
    had made. It felt like I was awkwardly taking all my clothes off in
    front of my doctor. This wasn’t just a fun story I was writing with my
    friends anymore, this was my first major step into my career as a
    screenwriter.

    But where is glory without vulnerability?
    Is that not its very definition?

    There I was in all my glory, and there was the script in all of hers.
    I took criticism, I refined characters, I made story changes.
    I wrote and I wrote and I wrote.

    I grew in confidence, made bolder choices, found more grey hair.
    I wrote and I wrote and I wrote.

    Two months and 90 pages later I had finally completed the first draft
    of The Initiative’s second feature film, and the first draft of any
    feature film that I had written ever in my life.

    I remember handing in the completed draft to Jason in the middle of
    the night right before I left for vacation.

    For one of the first times in my life I was genuinely proud of myself.
    I had done something I had always wanted to do, and I had done it
    well.

    As I sat on the plane home to visit my family, I remember feeling like
    I was back on the playground. This time I wasn’t watching the action;
    I was standing center court, and I had just made a three pointer.

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    • Brenden Bell

      Screenwriter, Editor, Blogger, and Visual Content Manager

      Brenden Bell is a screenwriter, video producer, editor, teacher, and Visual Content Manager with The Initiative Production Company. He loves eating ice cream, everything nerdy/dorky, thinking too much, and dogs (mostly just the big ones, but he’s open-minded)

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