Fargo: A Film of Contrast

    Fargo is, in its complex simplicity, the story of contrasting worlds and characters. Many times the movie hints at this contrast and goes to great lengths to weave it into the story.

    With its uses of irony, elements of contrasting light and dark themes, and elements of contrasting characters, Fargo is able to tell a compellingly hilarious, yet dark, narrative.

    Even the cover is an example of contrast. It’s a knitted scene of a murder.

    The Coen Brothers focused primarily on the idea of contrast when they made Fargo, and through it they were able to so beautifully show the difference between two very different lives.

    The Ironic Humour of Fargo

    The first time I watched Fargo I was amazed at how the movie was able to make me laugh yet have such a dark theme.

    This is where irony plays it’s part.

    An example of this irony is in the setting and circumstances. The story takes place in the MidWest involving characters who are charming, from their accents to their general mannerisms.

    We see irony ensue in the story when this seemingly innocent place and seemingly innocent people get caught up in a murderous situation.

    Jerry, one of the main characters, hires two guys to kidnap his wife in order to claim some of the ransom money. Jerry’s mannerisms when interacting with others is kind and gentle, stereotypical of MidWest people. So to see him try to orchestrate a kidnapping is in its nature hilarious, because it’s ironic and unexpected.

    The Dark and Light Themes

    We see other examples of contrast in the light and dark themes of the movie.

    I loved how the movie ended. We see Marge, the main character, who is pregnant at the time, shoot a murderous criminal on a frozen lake. It’s the climax of the movie and a thrilling scene. A pregnant lady does this!! She’s the symbol of care and we see her capping a bloodthirsty maniac in the leg! In a way it made that scene absolutely magical to me.

    You couldn’t get more opposite characters.

    The scene that soon follows this climax is a very calm and slice-of-life kind of films where Marge is lying in bed with her husband, Norm, and they discuss how he did in a duck-painting competition.

    These two scenes are so extremely different from each other. And that’s the genius of it. The Coen Brothers were able to use these themes of dark and light so flawlessly in every part of the movie that it creates so much depth to the story.

    The Characters

    The third element Fargo contains which makes it such a good movie is the contrasting characters and their stories.

    There’s also an incredible message that can be drawn from the film as well.

    It shows the path of Jerry, who appears fine on the outside, but inwardly he is losing it. We can know this because there are two times he looses his cool, revealing how he truly feels.

    Marge on the other hand is collected and friendly, open and honest.

    Marge’s story ends a lot better than Jerry’s, one is able to retire to the comforts of her

    home while the other is arrested at the end.

    The other characters contrast as well. The two men hired to kidnap Jerry’s wife are very different from each other, one is big and says little, the other is little and talks big.

    Fargo shows contrast in every scene, and every scene seems to contrast the next one. Every scene seems to pop because of how vastly different they are to the one that follows. There’ll be a very suspenseful scene depicting murder and then the next scene will be one that is cozy and warm depicting a couple eating together.

    In this way the Coen Brothers are able to again capture the very nature and essence of two different paths and how each end.

    I am convinced after watching this movie that ‘Fargo’ is the child of two very different worlds: The Andy Griffith Show and Pulp Fiction. The Coen Brothers sat down and thought about how to make the ultimate contrast film and they came up with this idea.

    So with a compellingly contrasting narrative, contrasting characters, and brilliant uses of irony, Fargo truly shows us the outcome of two different lifestyles. The lifestyle of Jerry, who swindled and cheated while acting like everything was fine, and the lifestyle of Marge, who though pregnant, was able to track down two murderers and even stop one in the end.

    Fargo is a film you can watch a million times over and still find something new.

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    • Keaton is an actor and writer who works with the Initiative Production Company in Brisbane, Australia. Native to Alaska, he enjoys staring at the stars while contemplating the meaning of life.

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